I recently created the new identity and event key visual for the annual basketball memorial tournament in honour of Haris Charalambous who tragically died at the age of 21 while training with his NCAA Division 1 Toledo University team in October 2006.
The tournament regularly attracts some of the best teams in Britain, Europe and the United States.
Past winners include the national teams of England, Ireland and Germany, US college sides Proctor and Tilton Prep, British academy Charnwood College Riders and European club sides CB Cornella (Spain) and Breitengüßbach (Germany).
The event also features some of the game's exciting talents, such as Terance Mann, who was part of the victorious Tilton team in 2014 and recently helped Florida State to the Elite Eight in the NCAA Championship.
A full case study to come once everything has fully launched, but in the mean time it was a real pleasure to work on the rebrand and redesign of the JW Lees Brewery portfolio of beers whilst freelancing at Manchester agency Squad.
Working alongside Squad Creative Director David Barraclough, with Manchunian master typographer Daren Newman we created a suite of beers that each tell their own story in a different way and brings them right up-to-date, whilst still retaining an element JW Lees heritage.
It was a great project to be involved with and I look forward to sharing more of the project once its fully out in the wild.
So after; two enjoyable years at LOVE, two years before that leading the JD Sports digital creative team, three fantastic years at advertising agency TBWA and four years before that working in various small studios, I am now available to hire directly for all your graphic design, art direction, brand and digital design needs.
If you would like to get in touch to discuss a potential project all my contact details can be found here, I would love to hear from you!
Manchester After Hours is the rainy city’s take on the national, annual Museums at Night celebrations: for one night only, museums, galleries and libraries stay open late for some creative goings on - with nearly everything free to attend.
First up was the Unit X exhibition at Federation House. Unit X took over Federation House for its annual showcase of emerging talent from Manchester School of Art. Film, art, design and photography come together in exhibitions and installations throughout the building.
After a pit stop in Trof for a cheeky pint (the free bar ran out in Federatin House just as we got to the front of the queue), we bumped into the choir and brass band which were touring the Northern Quarter playing and singing to whoever was passing by.
Next stop was Fred Aldous which was hosting an evening of FREE creative collaboration including; live painting, photobooth mugshots and a Risograph zine workshop.
Up next was a visit to the roof terrace above Manchester creative agency, Music, where they were playing a few tunes whilst offering up good views back over Stevenson Square and the Northern Quarter.
A crowd gathering around the brass band below.
It was getting cold now, so we headed down to Ply below for a little break and to kill some time before heading over to the NCP car park in the centre of the Northern Quarter for our final event of the evening.
A-top of the NCP multi-storey car park on Church Street, musicians, choirs, street performers and brass bands deliver a pumping finale to the Northern Quarter’s proceedings. As the pictures and videos below show, it was a great way to end the evening with everyone getting involved in the carnival atmosphere.
The Whitworth, Manchester's gallery in the park, has just reopened after a £15 million renovation and expansion. Having never been before I had been wanting to check it out since the re-opening, and its well worth a visit. There's good mixture of exhibitions from photography, portraits, sculpture and art, with the exhibition spaces also adding their own character to the displays.
The park location is great, especially on a sunny day like day. Whether you're inside and catching glimpses of green out side or outside where the new glass extension cantilevers into the park.
My highlights were: The 1960s: Works by Peter Blake, Bridget Riley and others reveal the riotous colour, fashion and art of the era and Cornelia Parker's solo show. Cai Guo-Qiang, Unmanned Nature looked interesting, but there was a big queue so I just poked my head round the corner for that. Also worth noting is the 'War Room', a large space lined with the left over cutting sheets from the production of memorial poppy's.
Today in the UK we witnessed a rare astronomical occurance, a solar eclipse. A solar eclipse is where the moon moves in between the earth and the sun, blocking out the sun's light for a short period of time.
Its really impressive to witness, and is one of the only times you get a sense of being apart of system of moving rocks in space, and just how small we are.
The eclipse reached at around 83% coverage in the UK, with only two places on earth getting a full 100% coverage.
The next solar eclipse in the UK won't be until 2026.
Behance Portfolio Review week, is global event happening in hundreds of towns and cities across the world organised on behalf of the online portfolio service now owned by Adobe. Last night was the Manchester event, and Jonny Evans at Degree53, who was hosting the night was good enough to ask me to help out and take one of the feedback sessions.
The night started off with a talk from Brendan Dawes, which took us through his work and general search for serendipity (and chaos). Brendan’s work has been featured in numerous journals including idN, Creative Review, MacUser, Computer Arts, Create, Wired, Eye, The Guardian, The Times, Communications Arts and was interviewed by Computer Arts in December 2008 for their "Design Icon" series.
The whole group then split into groups 8 or 9 groups for the portfolio reviews. I lead one group, and it was an enjoyable experience. I was impressed with some of the work on display and it was great to meet so many people passionate about design, illustration and photography.
I would like to say a big thanks to Jonny at Degree53 for taking the time to organise the event. Hope you don’t mind but I’ve also pinched some of your photos from the night.
Mark Stringer, Managing Director at Ahoy Digital (@ahoymark)
David Newton, Creative Director at Ahoy Digital (@LetsNotPretend_)
Simon Vaughan, Exec Creative Director at Amaze (@amazeltd)
Paul Normington, Art Director at Amaze (@Norm_ski)
Jade Sahota, Head of Design at Degree 53 (@jadie0503)
Tash Willcocks, Programme Manager at Hyper Island (@tashwillcocks)
Michael Watson, Creative Director at Project Simply (@projectsimply)
Wednesday 29 October
Manchester School of Art
Benzie Building, Higher Ormond Street, Manchester M15 6BR
Last night I attended, “North: The Great debate”, a discussion between prominent members of the Manchester and UK creative industries as part of the Design Manchester festival at the Stirling Prize shortlisted Benzie building. The debate was chaired by Robert Yates, Assistant Editor of The Observer, with a panel including Sir Richard Leese, the Leader of Manchester City Council; Lou Cordwell, founder and CEO of Magnetic North; Professor David Crow, the Dean and Pro Vice Chancellor of Manchester School of Art; and Caroline Norbury, the CEO of Creative England
It was billed as “Growing by Design: the role of the creative industries in building a northern powerhouse” taking place against the backdrop of a seemingly unstoppable movement towards more devolution between the cities and regions, with the recent publication of One North and the plan by the leaders of Liverpool, Leeds, Manchester, Newcastle and Sheffield; Design Manchester’s Great Debate looked at how the creative industries can stimulate and create a prosperous and successful northern economy.
There was strong discussion with several outspoken members of the audience being vocal in their opinions and whilst others had travelled from across the country to participate. The one area the debate was let down for me was the lack of an opposing voice in the panel with the members being predominantly Manchester based/focused. Although I suppose that is to be expected of a discussion happening in Manchester, with the main topic of conversation being Manchester.
'The cities of the North must have control of their own destinies' - @SirRichardLeese #northdebate
A recurrent theme was Manchester and its own (and often lack of a) narrative compared with other major hubs such as London. Personally I think Manchester has a pretty strong identity, and although creatively its reputation isn’t as strong globally as London, it however shouldn’t being trying to replicate that and instead play to its own strengths. Not that any of that really matters, for me if those in power want to turn ‘The North’ or Manchester into a globally renowned centre for the creative arts, its not about how to PR the region but rather to create a climate in which creative business want to setup in Manchester and can then operate successfully. This means having great infrastructure and office space at affordable rates to entice more business in, which then in turn creates more jobs and demand for talented individuals.
Yesterday afternoon I received a random request from someone on twitter that I follow them so they could DM, curious for more details I followed away. A couple of DMs followed before I received a phone call from Kirsty at the BBC, wanting to know if I'd be up for being interviewed on the radio about cycling to work.
It turns out the tweet she found was 14 months old, but nevertheless the next morning at 7:50 is was interviewed for 5 minutes or so on the perils and benefits or cycling verses driving to work.
Speed of Light was a centrepiece of the Edinburgh International Festival and recently staged an event in Yokohama Japan. The night-time work uses light, intentional movement and sound to change the way we see and feel about a chosen environment.
Speed of Light Salford features one hundred runners in specially commissioned LED light suits will create beautiful, choreographed patterns of light flowing through streets, over bridges and around public spaces and buildings. Free and non-ticketed for the watching audience, it can be seen as a piece of abstract art on the grandest scale: monumental but surprisingly quiet and reflective.
The most important part of taking part as a runner was to maintain an even gap between the participant in front and behind you especially as gaps were extended and reduced on the fly.