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March 17, 2021 - No Comments!

Reebok Pump Omni II – No Look Book – 30th Anniversary

THE YEAR IS 1991.
THE DUNK CONTEST TITLE IS STILL ANYONE’S GAME.
DEE BROWN STEPS ONTO THE COURT.
HE SIZES UP THE RIM, BALL IN HAND, WITH ATTENTION FROM FANS ALL OVER THE WORLD.
HE SETS THE BALL ON THE FLOOR. WITH TWO HANDS HE PRIMES THE PUMPS ON HIS PUMP OMNI ZONE II SNEAKERS, REVOLUTIONARILY LOCKING IN A CUSTOM FIT FOR TAKEOFF.
EACH TIME HE APPROACHES THE NET, HE—AND THE UNPRECEDENTED PUMP TECHNOLOGY— BECOME EVEN MORE OF A PHENOMENON.
ON THE SEVENTH TRY, HE LAUNCHES INTO THE AIR, EYES COVERED BY HIS FOREARM.

BROWN CASUALLY JAMS THE BALL THROUGH THE BASKET, NAILING THE ICONIC NO-LOOK DUNK.  

AND THE REST IS HISTORY.

CHARLOTTE, NC - FEBRUARY 9: Dee Brown #7 of the Boston Celtics goes up for slam dunk during the Slam Dunk Contest in the 1991 NBA All-Star Week on February 9, 1991 at Charlotte Coliseum in Charlotte, North Carolina. NOTE TO (Photo by Nathaniel S. Butler/NBAE via Getty Images)

🏀 🏀 🏀

Last month Reebok reached out to us to help celebrate the launch of Pump Omni Zone II, 30 years on from this iconic moment. They asked us to create a digital look book using WNBA player Lexie Brown (Dee Brown’s daughter) that could support PR and tell the younger digital consumer the history around Dee Brown’s iconic no-look dunk (without actually being allowed to tell the story due to legal reasons SHOCK).

The challenges of lockdown have led to creatives experimenting with virtual photography, with #facetimeshoots becoming a huge trend among celebs and brands. To create our “No Look Book”, we thought we’d give this new trend a go ourselves.

We opted for a more candid approach making sure the models never look down the camera lens. Through collaborating with a Leeds based photographer who has mastered the art of the #homeshoot, we were able to shoot Lexie living in Florida and model Gabe residing in Phoenix using their iPhones - all from the comfort of our own home!

This allowed us to be extremely flexible working around Lexie’s strict training schedule whilst also battling with shipping delays, apparel going missing, weather conditions and last-minute shoot location changes.

Check out the The No Look Book

The client was absolutely buzzing with the quality that we were able to produce using an iPhone and our flexibility throughout the campaign, sharing the feedback below:

“This is absolutely perfect, we love the execution here and thank you everyone for your work on this.”

The Pump Omni Zone II release sold out in hours.

February 1, 2021 - No Comments!

Reebok x Kung Fu Panda

Leveraging the graphic language of old Kung-Fu movie posters, graphic novels and the humour of the film franchise, creating the key visuals for the Reebok and KFP collab was a fun project work on.

Starting with a teaser social story campaign based around Chinese New Year before leading into the graphic poster inspired key campaign.

 

 

September 18, 2020 - No Comments!

Zoe Saldana x adidas

Back in January whilst I was working in NYC, we were asked to pitch for an upcoming collaboration between Hollywood actress Zoe Saldana (Guardians of the Galaxy, Avatar, etc.) and adidas. Leading the creative and working alongside Strategy Director (Jonathan Gogel) and Account Director (Jason Newman) we turned the winning pitch round in less than two and a half days.

Just as we were progressing nicely with the project, COVID arrived on the scene and put a stop to the project and the upcoming shoot. Now, nine months later and the work is  starting to go live.  The project resumed in June (after the initial planned go live date of the Spring) and we conducted the photo shoot in LA remotely via Zoom, with only the production team on site.

"Zoe Saldana is bringing together sportswear giant Adidas and department store Kohl's for an activewear collection meant to “highlight, support, and celebrate women of color,” according to the actor and activist. “As a woman of today, a mother, and an entrepreneur, it’s become incredibly important for me to connect with other women by sharing our stories as we navigate through life trying to be the best versions of ourselves.”

Read more about the project here

September 9, 2020 - No Comments!

adidas ZX 2K BOOST – JD Sports

Good to see some work created during lockdown hit the stores and streets of the UK and beyond. Retail windows, OOH and hero activation for JD's brand new Paris flagship store shown.

I believe this went into over 220 doors in total.

Better shots & case study to follow...

September 21, 2018 - No Comments!

Red Bull Amaphiko

Just finished working on the illustrated campaign visuals for the UK version of the Red Bull Amaphiko series.

Red Bull Amaphiko is a global programme that champions social entrepreneurs driving positive change in their corner of the world.

Case study to come...

January 20, 2018 - No Comments!

Jacamo Christmas TV 2018

Whilst this was not something I worked on directly, but having spent 18 months working closely with the Jacamo team (whilst I was at LOVE), working on the rebrand and creating all their seasonal brand guides for this period it was nice see that they were taking the guides on themselves and creating good solid content on their own.

Whilst there is nothing ground-breaking in terms of idea or application here, it's a long way from where they used to be with Johnny Vegas.

It was also nice to see the tv campaign lead with a line written be me. #winterwrapped

August 1, 2017 - No Comments!

I’m freelance and available for hire!

So after; two enjoyable years at LOVE, two years before that leading the JD Sports digital creative team, three fantastic years at advertising agency TBWA and four years before that working in various small studios, I am now available to hire directly for all your graphic design, art direction, brand and digital design needs.

If you would like to get in touch to discuss a potential project all my contact details can be found here, I would love to hear from you!

November 20, 2016 - No Comments!

New TV ad – Jacamo FITS (Christmas edition)

A fun shoot and project to be involved with, shot as a stop-frame animation by Tommy Cockram, starring former England Cricket Captain, Freddie Flintoff with post production provided by The Mill.

The stop-frame animation worked really well across social too:

Below are some of the behind the scenes, including me taking a (it was three or four) snowball(s) for the team. I'm thankful it wasn't Freddie wasn't throwing them, an unlucky digi was on the receiving end the next day and whoa!

I also shot a series of four of interviews with Freddie between scenes, where he ponders some the big festive issues check one below, more on Jacamo's youtube channel.

 

May 12, 2015 - No Comments!

Brief Creation Guide

What is required from a creative brief

A creative brief is a unifying document that identifies the important key benefits for a project or task. It tells the story and explains why it’s important to the audience, serving as a guide for the creation of new materials. It seems simple. Yet developing an effective creative brief is far more difficult than it may at first seem.

A poor creative brief can waste time and money, and creates frustration because the resulting concepts do not nail it.

A well thought out creative brief is imperative no matter the scale of the project. From quick turnarounds, amends or longer projects, a solid creative brief is the one document all parties refer to throughout the life of the project or task.

The key aspects of a creative brief are as follows:

1) Background/summary.
This is where the brief provides all the supporting, contextual and target audience information, as well as any customer insights or knowledge gained from previous projects and research.

Always provide more information than you think is relevent. Remember the person working on the job
may not be as familer with the task or a projects history as the person who created the brief.

2) Proposition.
What are the problem(s) which needs solving.  Keep it short, and to the point.

3) Requirements.
This is where any other supplementary information is confirmed, this includes (but is not inclusive):

- Brand guidelines, styleguides and technical specifications.
- Supporting copy and headlines.
- Assets - Brand supplied or campaign imagery, logos, lockups or illustrations.
- All links/CTAs and their destinations.

4) Deliverables and objectives.
What is required and what do you expect to gain from it.
Eg. A webpage, banner, email, logo, page takeover, etc.

5) A reasonable deadline.
Liase with the creative department to get an idea of timescales if unsure.
If it is a large project, set intemediate targets/deadlines along the way.

6) Approval.
Before starting confirm everyone involved with the project and all stakeholders are happy and onboard.

It is then the job of the creative(s) to consider the brief, carry out suitable research (as required) and
present back solution(s) which answer the brief once completed.

 

Remember: Briefs are in their nature, brief. Use bullet points, keeping each point short and concise.
Avoid: Stating or illustrating how you want the final design to appear.

 

 

Further reading:

http://advertising.about.com/od/tipoftheweek/ht/How-To-Write-A-Creative-Brief.htm
www.bbrmarketing.com/blog/how-to-write-a-great-creative-brief/
http://chempetitive.com/chemunity/importance-creative-brief
http://www.jetfuelcreative.com/marketing/benefits-of-a-creative-brief/
http://www.creativeoncall.com/2013/08/19/7-simple-steps-to-an-effective-creative-brief/
http://www.commarts.com/columns/creative-briefs-shifting