HydroProject plots thethe construction of damsin Ethiopia andChina. The series by photographerRüdiger Nehmzow,portrays the relationships between natureand howhuman endeavour can control it for its own benefit. I find the scale of everything really mind blowing.
It's quite a feat of industrial design to produce something in 1970 that still looks contemporary 41 years later. Sony handily achieved that feat with their TR-1825 radio, a modernist cube that you slid open to expose the speaker on the front face while simultaneously revealing the controls up top.
Sony Design's History page states,
"Released in 1970, when Sony had become the first Japanese company to list shares on the New York Stock Exchange. Sliding the faces on this cubic radio reveals a speaker in front and controls on top, a unique design at the time. One version of its packaging commemorates the World Expo in Osaka, held in March that year, and many expo-goers picked up the radio as a gift"
For me, the most interesting thing about the Comedy Carpet (one of the UK’s biggest ever pieces of public art which opened yesterday), is the typography and its actual production.
Collaborative artist, Gordon Young was inspired and supported in researching the content for the carpet by Blackpool-based comedy expert, Barry Band and historian and writer Graham Mccann, and on the typography and layout by graphic designer Andy Altmann of why not associates.
image: blackpool council
Production
Five years in the making: one of the most complex pieces of public art ever commissioned at first sight, the comedy carpet looks as if the text is painted, but in fact each of the 160,000+ letters has been individually cut from 30mm solid granite or cobalt blue concrete, arranged into over 300 slabs and then cast into high quality, gleaming white concrete panels. The letters range in size from a few centimetres to over a metre so viewers can enjoy it both close up and from the glass viewing platform in the blackpool tower eye.
The scale and incredibly complex nature of the work meant that comedy carpet team even had to set up its own bespoke studio to make the artwork. after several months of research with input from chemists and engineers the comedy carpet team devised new techniques and recipes for production including a special mix to produce the hardest and whitest of concrete and the perfect blue that won’t fade. The process of making each of the 320 slabs involved many complex stages from cutting, sorting, fettling, and laying out each of the letters, to a 3-stage casting process, curing, trimming, grinding and polishing. and that’s before it was transported to Blackpool for the installation on the headland.
gordon young selects letters for a part of the comedy carpet image: blackpool council
Created as part of the major regeneration of the promenade, the comedy carpet was commissioned by blackpool council, with part of a £4m grant from cabe’s seachange programme. catchphrases, jokes and songs from more than a 1000 comedians are now immortalised in concrete and granite artwork which is situated at the foot of blackpool tower.
Artist Gordon Young has been working in the public realm for over 20 years creating pieces that mine rich seams of social history, engage communities and extend the relationships between art and architecture. at the heart of all gordon’s young’s work is language - words that entice, fascinate and on the comedy carpet, amuse. titter ye not, just like that, oooo-er matron, nudge, nudge wink, wink, oh betty! suit you sir, yeah but no but, what’s on the stick vic? , in the comedy carpet young has created a giant 'giggle map' immortalising the UK’s favourite comedians and comic writers fromthe hey day of music hall to 21st century stand up.
A nicejoint project fromde GrootandDennisNalden, reducingthe best knowncharacterstosimple geometric shapesand colours. The series entitled "Bare Essentials"features 50illustrations.
Yesterday Jenson Button took to the streets of Manchester in his Mclaron MP-23, tearing up Deansgate to Albert Square and back in again whilst 55,000 fans cheered him on.
Glad we got down their pretty early as we got quite good spot at the turning point by the town hall, where we got sprayed with bits of tyre/road as Jenson performed burnouts right infront of us. The Q&A was pretty interesting, especially after we had just been ejected from behind the fanzone by an angry security man for sneaking in with some of Jensons party!
Check out the videos at the bottom, as they attempt to portray the noise and power of it all - like angry elephants smashing their way around Manchester!
This video filmed by my mate @stevo9856 is awesome!
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Jenson getting a bit sideways on his final run back towards Deansgate.
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Jenson heading to the Q&A session - just after we had been ejected by a grizzly security guard.
A selection of cool, random and cleverly designed products from New York based product designers, The.
Anti-theft lunch bags
Stop those bullys at school/work nicking your sandwiches!
Framed objects
Walls notebook
Walls Notebook is a notebook / sketchbook that features 80 pictures of "clean" NYC walls instead of blank pages. Write, draw, paste, or doodle on these inspirational backdrops. You'll be one step closer to being the street artist you've always wanted to be … minus the jail time.
Stacked cups What appears to be two or three cups nestled within each other is actually only one cup.
Snow White, after the prince's kiss. (Photo: Dina Goldstein)
Where Cinderella went after the ball. (Photo: Dina Goldstein)
Rapunzel in treatment. (Photo: Dina Goldstein)
Little Red Riding Hood's bottomless basket. (Photo: Dina Goldstein)
Still waiting for Sleeping Beauty. (Photo: Dina Goldstein)
"These works place Fairy Tale characters in modern day scenarios. In all of the images the Princess is placed in an environment that articulates her conflict. The ‘…happily ever after’ is replaced with a realistic outcome and addresses current issues… Disney’s perfect Princesses [are] juxtaposed with real issues that were affecting women around me, such as illness, addiction and self-image issues."
If you use After Effects, you will enjoy the true origins of the Camera Layer / 2.5D animation from this video from 1957. Technology keeps advancing so fast, and has allowed laptop computers to recreate and improve this same techniques once put together by people wearing slacks and dressy shoes. Good to think about this next time you press that "render" button 🙂
Here's a nicely executed concept for BMW M3 Coupe at Hamburg Airport utilising a 50x2m light wall in the middle of the arrival hall to portray a car that exceed limits by exceeding its limits.
Advertising agency Serviceplan created a headline out of half letters, the super shiny floor then reflected the other half. As a result, BMW doubled the media space for free.
After discussing this a little bit, we concluded that they've missed a trick with the standard car shot at the end and that something more inventive continuing the reflections theme could have been done. The orientation of the type is changed from the first word to the second, so you are alredy reading it with your head turned which would then suit a car shot from either the front or the rear.
Messing around with with video settings on my new-ish Canon G12 camera at a gig last night, and discovered the "miniature" setting. Basically a tilt-shift setting, which blurs the top and bottom a bit.
What I didn't realise is that it also plays back at x10 speed and with no sound.
I'm a bit gutted there's no sound as this was one of the best songs of the night, but then at 10x it would be rubbish - which I didn't realise at the time either. I would also have liked the tilt-shift blurriness to have been a bit stronger, as at the minute its more of a time-lapse video rather than minature or tilt-shift. - more play needed I think.
I still think it looks kinda cool being condensed down into 24 seconds - The light show was really good considering the relatively small size of the gig and lead singer Ed Macfarlane dances around like a mad man.
Anyway I thought I'd post it up, so hear it is. Let me know what you think.